Throughout this practice, the individual recurs in different forms. Sometimes as a single flower emerging briefly from a larger field, sometimes as a faint human presence overtowered by urban landscapes, and sometimes as a fully realized portrait in conversation with its environment. While the subjects change, the underlying question remains remarkably consistent: what does it mean to exist as a singular being within a world of constant change?
Rather than treating individuality as fixed or self-contained, the work approaches it as something inherently vulnerable. Every individual (whether human or botanical) exists within larger structures that shape, obscure and ultimately outlast it. The images move continually between moments of distinction and moments of dissolution, exploring the tension between the singular and the collective, the visible and the barely perceptible.
This fragility extends beyond the subjects themselves. It also characterizes our own experience of the world. Perception, memory and attention are similarly delicate, shaped by conditions that remain in constant flux. The works therefore approach fragility not as weakness, but as a shared condition of being and of looking.
Across different bodies of work, visual ambiguity becomes a means of reflecting this condition. Boundaries soften, forms emerge and recede, and certainty gives way to sustained observation. The work does not seek to isolate individuals from their surroundings, but to explore the subtle relationships through which identity, presence and belonging become visible.
Fragility, in this sense, is not opposed to resilience or vitality. It is the condition that lends significance to both. The recurring presence of individuals throughout the practice reflects an ongoing inquiry into the delicate balance between the singular existence, and the larger worlds in which it unfolds.
Selected Works
