Every act of looking is bound to time. Light changes, seasons pass, flowers bloom and fade, and no moment returns in precisely the same form. Impermanence is therefore not simply a subject within this practice but one of its underlying conditions.
The works do not attempt to preserve nature against change. Instead, they approach transience as something experienced through perception itself. What appears stable at first often dissolves into shifting fields of colour, light and form. Individual flowers emerge only briefly before being reabsorbed into a larger visual whole, reflecting the tension between fleeting moments and continuous transformation.
Across different series, recurring motifs become less important than recurring questions. How does lens-based works engage with subjects that resist permanence? Can an image acknowledge the passing of time without reducing it to nostalgia? What happens when the picture records not a fixed object but an unstable encounter between light, atmosphere and attention?
Rather than presenting impermanence as loss alone, the work approaches it as a condition that makes perception possible. Every image exists because a particular constellation of light, movement and observation briefly came into being before disappearing again. The picture becomes less a document of permanence than a trace of an event that can never be repeated.
This theme continues to evolve throughout the practice, connecting multiple bodies of work that explore change not as an isolated subject but as a fundamental characteristic of both the natural world and our experience of it.
Selected Works
